Baritone guitar

The baritone guitar is a variation on the standard guitar, with a longer scale length that allows it to be tuned to a lower range. It first appeared in the classical music realm. The Danelectro Company was the first to introduce the electric baritone guitar in the late 1950s, and the instrument began to appear in surf music, as well as background music for many movie soundtracks, especially spaghetti westerns. In more recent history, the baritone guitar has found use within styles like rock, metal and improvised music. Some Baritone guitars may also have the capacity to be used as a bass guitar if strung correctly.

A standard guitar's standard tuning (from lowest string to highest) is E A D G B E. Baritone guitars are usually tuned a perfect fifth lower (A D G C E A), a perfect fourth lower (B E A D F B), or a major third lower (C F B E G C). Gretsch, Fender, Gibson (EB-6), PRS Guitars, Music Man, Danelectro, Jerry Jones, Burns London and many other companies have produced baritone guitars since the 1960s, although always in small numbers due to low popularity.[1]

Baritone guitars have larger bodies than standard guitars, especially in the case of acoustic instruments, and have longer scale lengths which allow the strings to be tuned lower while remaining close to or at normal tension. On a standard, steel-string, acoustic guitar, the scale length (the distance from the nut or string guide to the saddle on the bridge) is typically 24.9" to 25.7", and the strings range in diameter from .012" to .054". The scale lengths of various baritone designs range from 27" to 30.5", and the string gauges range from the normal .012 - .054" set to sets as thick as .017 - .095". Shorter-scale baritone guitars are more like long-scale guitars, having more midrange volume, whereas the longer scale lengths and heavier string sets give more bass to the instrument's timbre. Shorter scale baritones tend to be tuned C-C or B-B whereas longer ones are typically tuned A-A.[1]

"Tic-tac bass" is a method of playing, in which a muted baritone guitar doubles the part played by the bass guitar or double bass. The method is commonly used in country music.[2][3]

Baritone guitarists

Brian Wilson often included baritone guitars in his arrangements for The Beach Boys records, such as in "Dance, Dance, Dance" or "Caroline, No". Singer Jimmie Rodgers also favored the baritone guitar, which can be heard in the opening bars of his recording of "Woman from Liberia". Dave Gonzalez started playing a baritone with The Hacienda Brothers, consisting of a Fender Bass VI neck on a Fender Jazzmaster.[4]

Metal bands started using baritone guitars in the 1990s, as it became increasingly popular to "down-tune" or "drop-tune". Dylan Carlson of drone metal band Earth played a baritone guitar on Hex (Or Printing in the Infernal Method). Ko Melina of The Dirtbombs plays a Fender Jaguar Baritone Custom. Teppei Teranishi of Thrice plays a baritone on the "Fire" disc of The Alchemy Index. Pete Loeffler of Chevelle uses PRS four custom guitars with baritone necks, and two custom Fender Stratocaster Baritones; he owns several baritones in addition to those, making the total close to 20. D.A. Sebasstian of Kill Switch...Klick used a standard scale DeArmond Starfire professionally set-up and restrung as a Baritone extensively on his second self-titled solo album. Ian Mackaye plays a baritone guitar when playing with his band The Evens. Daron Malakian of the band System of a Down also uses a custom Ibanez Iceman IC300 baritone with graphics done by his father, Vartan Malakian, in the studio and in some live performances to give the songs "More Kick". It is not a commercially available guitar and is Ibanez's only baritone type Iceman guitar. Although they did produce an Ibanez Iceman DMM1 Daron Malakian signature with custom graphics also painted by his father as a Limited edition run, with only 300 made available worldwide.

Jazz guitarist Pat Metheny used baritone guitars made by Linda Manzer on his 2003 solo album One Quiet Night and his 2011 solo album What's It All About. Ani DiFranco often plays a baritone guitar, including those by Alvarez, frequently employing alternate tunings. Clifton Hyde has had his acoustic baritone guitar featured in the music of Sigur Rós, Gato Loco, and Pape Armond Boye. Nico Audy-Rowland of Trocadero played a Danelectro Baritone Guitar for the theme music of the machinima series Red vs. Blue. Dave Matthews plays a Baritone on certain songs such as "The Space Between" and "Some Devil". Parker Lauzon of Evans Blue uses an Ibanez. Brian 'Head' Welch of Korn uses Ibanez baritone guitars on his debut solo-album Save Me From Myself.

Numerous fingerstyle guitarists use baritone guitars, including Andy McKee, Don Ross, Martin Simpson, Iain Micah Weigert and Dave Amato. Don Ross plays a baritone by Canadian Luthier Mark Beneteau, and Simpson has played baritones made by English luthier Ralph Bown. Andy McKee plays a baritone guitar made by another Canadian Luthier Michael Greenfield.

The Les Deux Love Orchestra often performs with two baritone guitars playing together, a Jerry Jones and a Danelectro, as can be heard on their recording of Henry Mancini's "Experiment In Terror."

The Danelectro baritone was used by million-selling guitarist Duane Eddy on some of his huge hits, such as "Bonnie Came Back," "Because They're Young," "Kommotion," (all 1960), "My Blue Heaven"(1961), "Deep in the Heart of Texas" (1962), and "The Son of Rebel Rouser" (1964). The instrument was used almost exclusively on his best-selling album "The Twang's The Thang" (Jamie Records, 1960) and pops up regularly on singles and albums throughout his career (for instance, "Twang Thang," The Duane Eddy Anthology, Rhino Records).

The "twangy" sound of his guitars (which include Duane Eddy custom-builts by Guild, Grestch and Gibson) augmented the even deeper twangy sound made by the Danelectro baritone. Duane used the familiar black model and an unusual gray "Longhorn" model.

Mike Mushok of the band Staind has a signature model baritone guitar manufactured by PRS Guitars.[5] Prior to his PRS signature model, Mushok had a signature baritone guitar produced by Ibanez called the MMM1.

See also

References

  1. ^ a b Gerken, Teja. (June 2003). "Acoustic Longnecks". Acoustic Guitar: pp. 94–97. 
  2. ^ Pomeroy, Dave (2007-02). "1962 Supro Pocket Bass". Bass Player. http://www.bassplayer.com/article/1962-supro-pocket/feb-07/25446. Retrieved 2008-01-07. 
  3. ^ "Neptune� Longhorn Bass6". Jerry Jones guitars. Archived from the original on 2007-12-14. http://web.archive.org/web/20071214151220/http://www.jerryjonesguitars.com/NLHbass6.htm. Retrieved 2008-01-07. 
  4. ^ Marx, Jr., Wally (June 2008). "Dave Gonzalez: Western Soul Brother". Vintage Guitar magazine 22 (8): 28. 
  5. ^ "PRS SE Mike Mushok". Guitar Co.. http://www.prsguitars.com/mushok/index.html. Retrieved 2009-06-29.